![]() ![]() But she was better known as someone who made a lot of other brass players sound better.įor the last 25-odd years, Laurie Frink was the go-to brass instructor in New York City, especially for improvising musicians. Though rarely an enthusiastic bandleader, Frink made a lot of bands sound good. … But I started thinking to myself as she’s doing that, ‘Yeah, that’s pretty funny, but Jesus Christ, she’s actually able to do that.'” It was the funniest thing I ever heard in my life - it sounded like a wind-up toy, or something played like a 33 disc played on 78, you know? It was hilarious - it sounded like a chipmunk playing trumpet. “What she did, just for entertainment: She proceeded to play some of the warhorses of classical trumpet literature, like the Hummel Concerto and some of these others that everybody knows,” McNeil says. A week later, she showed up to a big band rehearsal he was attending. Jazz trumpeter John McNeil first met Frink decades ago in a rock club. As a freelancer, she was known for her ability to execute just about anything, no matter the level of difficulty. Great enough to tour with jazz big bands led by Benny Goodman, Gerry Mulligan (where she played lead) and Maria Schneider to be one of the first female trumpet players on the Broadway pit orchestra circuit in New York. Sometimes, the most important musicians are the ones farthest away from the spotlight. ![]()
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